Tuesday, August 3, 2010

Bizet: Carmen [Blu-ray]







Bizet: Carmen [Blu-ray] Overview


Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. With an image up to six times sharper than conventional DVD and superior high-definition sound, Blu-Ray lets you watch opera and ballet performances from the front row of the theater. Experience every detail, no matter how small, in the highest quality possible. With five times the memory of standard DVDs, Blu-Ray is a completely new way to experience the theater at home.

Bizet: Carmen [Blu-ray] Specifications


This Covent Garden production of Bizet’s Carmen, makes a vivid musical and dramatic impression. Director Francesca Zambello creates a properly Spanish atmosphere, filling the stage with a profusion of detailed characters. In Act One’s town square each of the many soldiers, strollers, cigarette factory girls, and children are individuals, so there’s a bustle of continuous, realistic activity. That attention to detail carries over to the rest of the opera, involving viewers in the action. Tanya McCallin’s sets are a perfect foil for the direction: simple, movable panels that serve as lightly sketched backdrops for the town square, a tavern, the smugglers’ mountain hideaway, and the final scene in front of the bull ring. But what makes this Carmen special is the singing and acting of the principals. Carmen is Anna Caterina Antonacci, a soprano known for the intensity she brings to her performances. Without taking anything to excess, her Carmen is a fiery temptress, sexy, insistent on setting her own terms for love and personal freedom. She sings all the set pieces well and, with tenor Jonas Kaufmann as her besotted lover, Don José, makes the final scene a hair-raising experience. If anything, Kaufmann trumps her with a beautifully sung, rounded portrait of the village boy turned soldier ensnared in a world beyond his experience. Kaufmann conveys the complexity of the character and etches his slow descent into obsessive madness. His rendition of the Flower Song is extraordinary for beauty of tone, phrasing and the soft singing essential to make this aria’s full impact. The toreador, Escamilio, is finely sung and acted by Ildebrando D’Arcangelo. He makes his entrance on horseback, sings the Toreador Song with brash arrogance, and projects this haughty, self-absorbed figure to perfection. And Norah Amsellem, as the village girl who loves Don José, uses her attractive soprano to depict her purity and innocence. Smaller roles are well done, with special mention due to bass Matthew Rose as Zuniga, the lieutenant of the guard. The vibrant conducting of Antonio Pappano is a big plus here; pacing is perfect, rhythms vibrantly precise, and melodies shaped with care. Under his baton, the Royal Opera House chorus and orchestra complete a rich, well-detailed performance of Bizet’s masterpiece. Lighting designs of Paule Constable add to the atmosphere of each scene, while television director Jonathan Haswell’s cameras always seem to be where they should be. --Dan Davis

Carmen is an all-regions disc in 16:9 ratio. Sound options include PCM Stereo and DTS 5.1 Surrdound. Sung in French, subtitles include English, French, German, Spanish and Chinese.

Customer Reviews


I loved every bit 'of this production (almost, that is). And 'the highest standards of singing, acting, costumes, sets, etc. .. I have not found another comparable commercial DVDs. Carmen Antonacci is a good, if not so outstanding. Among other notable DVD, the Ewing trade, despite its completion, is marred by some unruly chants, and Migenes Bumbry had lip sync to their (otherwise wonderful) versions, while Baltsa and Berganzanot very suitable temperaments for Carmen and Amparan sung in Italian. And Kaufman is probably the best Jose, amid strong competition (including Corelli, Vickers, Domingo, Carreras, Luis Lima). D'Arcangelo is better than most of Escamillo, but must yield to Samuel Ramey. Ansell is a typical, not very exciting, Micaela.

But the dialogue between Carmen Zuniga missing the start of the second law? He should ask her out, right? The opening ceremonyNumber of Act 4 was also missing. Certainly not like the cuts. Four stars and a half maybe.



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