I Know What You Did Last Summer / I Still Know What You Did Last Summer [Blu-ray] Overview
Studio: Sony Pictures Home Ent Release Date: 06/01/2010
There's a certain amount of bombast in the running arguments about wartime ethics between Marlowe and the new regimental surgeon (William Holden), who don't take to each other at all. But Ford more than makes up for it with such tasty scenes as an encounter with a couple of redneck Rebel deserters (Denver Pyle and Strother Martin), an ethereal swamp crossing led by a cornpone deacon (Hank Worden), and above all the famous skirmish with a hillside full of grade-school cadets from a venerable military academy. The film ends rather abruptly because Ford abandoned a climactic battle scene--the veteran stunt man and bit player Fred Kennedy having been killed in a horse fall. Golden-age cowboy star Hoot Gibson, who acted in Ford's directorial debut, Straight Shooting, appears as Sergeant Brown. --Richard T. Jameson
But make no mistake: Jim Parsons, as Sheldon, drives the show. With Leonard (Johnny Galecki) and Penny (Kaley Cuoco) grappling with fairly conventional relationship issues, it falls to Sheldon to turn every potential cliché into an opportunity for unexpected lunacy. His combination of ruthless rationality, profound narcissism, and yawning neediness make Sheldon a remarkable comic creation, and Parsons plays him to the hilt. Even funnier than his relentless analytical approach to emotions is when he tries to be more human; his attempts to comfort Penny when she's injured are hilariously unnerving. Watching Sheldon "grow" over the course of The Big Bang Theory's progress is one of the show's greatest pleasures. --Bret Fetzer
War of the Worlds at Amazon.com
The Soundtrack | The War of the Worlds (1953) | War of the Worlds - The Complete First Season (TV series) |
Classic Sci-Fi Movies and Their Remakes | Aliens Invade on DVD | The Prog-rock Opera (no kidding) |
Rock and Rule reflects the confusion of the animation industry in the early '80s. Yellow Submarine and Fritz the Cat had proved there was an audience for hip, edgy animated features. But nobody could make a good one, and a series of bombs caused animation to be labeled box-office poison. More than 20 years later, Rock and Rule holds a curiosity value for fans of old rock, but it's not a memorable film. (Rated PG: violence, grotesque imagery, brief nudity, alcohol, drug, and tobacco use) --Charles Solomon
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But don't worry, there's plenty of wizardry and action in Goblet of Fire. When the deadly Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad-Eye Moody and Miranda Richardson as Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation. --Ellen A. Kim
With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor, and the most angst they suffer is whether Sue and Reed will ever be able to live a normal family life. (That, and whether they'll ever really get married, of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer… just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzling, but the Surfer looks too metallic, more like a skyriding T-1000 robot. --David Horiuchi
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