Showing posts with label (2-Disc. Show all posts
Showing posts with label (2-Disc. Show all posts

Saturday, April 3, 2010

Paranormal Activity (2-Disc Digital Copy Edition) [Blu-ray]







Paranormal Activity (2-Disc Digital Copy Edition) [Blu-ray] Overview


This intense edge-of-your seat horror film follows a young suburban couple who record the sinister disturbances in their home while they sleep– even as the domestic haunting becomes more frequent, more threatening and all too personal. Hypnotic and harrowing, Paranormal Activity uniquely delivers frightful suspense punctuated by moments of sudden and unexpected terror, all the way to the shocking ending.

Featuring a version not shown in theaters with an exclusive alternate ending, Paranormal Activity is the one supernatural thriller Blu-ray to own that plays on your most primal fears, and guarantees you’ll need to sleep with the lights on.

Paranormal Activity (2-Disc Digital Copy Edition) [Blu-ray] Specifications


Like The Blair Witch Project, Paranormal Activity is an impressive and harrowing indie chiller that derives much of its terror--and there is quite a bit of that in its brief running time--by playing on the most basic of human fears: that which cannot be seen. Though one might assume that the point-of-view aesthetic had been worn out thanks to Cloverfield and Quarantine (and, lest one forgets, Blair Witch), Paranormal makes excellent use of the single-camera technique, which helps to not only preserve the film's central conceit--a new-minted couple records the increasingly threatening supernatural phenomena that have invaded their home on a camcorder--but underscore the realism needed to drive home the low-fi (if completely persuasive) special effects. The approach is also crucial to the film's suspense, which unfolds in long, largely broken takes to nerve-rattling effect. Not every horror fan--or moviegoer--will fall for the film's spook-show approach. Those that found Blair Witch's less-is-more approach aggravating will feel the same way about Paranormal, but the sleight of hand exhibited by first-time director Oren Peli, and assisted by his two leads, relative newcomers Katie Featherston and Micah Sloat, should provide adventurous viewers with fresher and stronger scares than anything from Hollywood in recent years. --Paul Gaita

Customer Reviews


A young couple, Katie and Micah have experienced strange events in their homeland, but accidents - dents in the night sounds of votes whipered, taps appear to be off and on - are nothing compared to the escalating supernatural events that come Micah is ahead to try and document the phenomena. Buy a camera and a load of films to register events, day and night and see what is really happening at home when they sleep.

In BlairWitch-style, the whole film is seen as a collection of what the camera captured. Paranormal Activity comes off feeling very real - the actors are very natural, not once did anyone look and act the effects of distance, such as special effects. The characterization is deep and is a sign that the whole scenario seems to make plausible host.

Of the two, and Katie does not think that the idea of openness is very intelligent and Katie's Whosupernatural experience everything first-hand on Micah (although both feel, bumps and creaks in the night - Could be anything - she is, who hears the whispers) and she is the One who lived through those before it, as regularly visited, or visited, apparently from the same place in different parts of his childhood. It starts, continues for some time, then disappears for years at a time. And if it is followed from place to place, so the activity is obviouslycentered on them and not on a particular house or place. With Micah, we have one of those rare cases where telling the stories of fairy tales seems a lot about a character, the character himself seems to ignore. Micah loves and tries to help Katie, but I think in the initial phase of his state of mind - if not deliberately - can type "this did not happen. We think it's a rational explanation or not, but in the end we just laugh about. But youI would not be kind of cool when it really? "I do not think in the early days of his experiments with the inclusion of events that is always able to really feel this is" The Haunting "thinking as a threat, so he doesn 't that put himself in danger or Katie, whether the acts that he had been warned that it is unwise to what could cause the company and all the worse.

Things go from bad to worse, and it is increasingly difficult to imagine a "rational"Explanation for the increase in activity. Katie strong concerns from the outset and their tendency, should only go to prove this, but to understand it, perhaps show an intuitive sense of how dangerous the company really is, or perhaps show that they are seen as most do for previous incidents of the business you see. You do not think you can 'defeat' of this nature, and thinks that the best thing they can do, ignore it and it iswhat is always before, when ignored fact: go to the end. Micah is obsessed with understanding, and by the time that must admit That threat is very real, can not go outside. He seems to believe that he may be arrested when Katie is on the ground (even if they want to), or think that perhaps it would be less masculine if he admitted he was on the wrong track. Again he sees not think necessarily aware of these things, and can also go to Katie, butThis is the interpretation I have of their motivations. And so, as things get worse, the recorder continues to try to Micah continues to capture evidence on film, alternately Trying to communicate with the company or trying to find ways to direct combat. All this seems simple to bring you closer to nature and our world, and leads to a series of increasingly appalling events and a final shock.

Some find the film too slowly. Personally, I amliked the pace, I liked how the first third of the film, most of what you see, to grab the camera is just simple a thing. He makes it real, lets you know the characters and makes it stronger, if the progress of events not only sounds the occasional bizarre unexplained events. I think it was executed very well and is one of the best films of its kind also recommend: [Rec], Cloverfield and The Blair Witch Project.


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Thursday, February 18, 2010

Inglourious Basterds (2-Disc Special Edition) [Blu-ray]







Inglourious Basterds (2-Disc Special Edition) [Blu-ray] Overview


Brad Pitt takes no prisoners in Quentin Tarantino’s high-octane WWII revenge fantasy Inglourious Basterds. As war rages in Europe, a Nazi-scalping squad of American soldiers, known to their enemy as “The Basterds,” is on a daring mission to take down the leaders of the Third Reich. Bursting with “action, hair-trigger suspense and a machine-gun spray of killer dialogue” (Peter Travers, Rolling Stone), Inglourious Basterds is “another Tarantino masterpiece” (Jake Hamilton, CBS-TV)!

Inglourious Basterds (2-Disc Special Edition) [Blu-ray] Specifications


Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale.

Now, this isn't one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colors and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler's den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It's testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds.

Again, be warned: This is not your "Greatest Generation," Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino's latest cinematic protégé, Eli (director of Hostel) Roth, is aptly cast as a self-styled "golem" fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show "Adolf Hitler defeated by cinema." Cinema wins. --Richard T. Jameson

Customer Reviews


I loved this movie. I have seen several times since to do so. Some may disagree, but with each film, Quentin, who does what he thinks is great, and if you are on this wavelength, you're there with him. I am a fan of action and also the lack of action expected is very little to lift my love for this film. The characters and the tension in this film, which simply too great.

Regarding this product, the soundtrack was not so great. While the choices are genius Qin the context of the film to keep them rarely, if played alone. It's hard to hear a voice husky, in 1940, then followed that with a song by David Bowie at 80.


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