Showing posts with label AMERICAN. Show all posts
Showing posts with label AMERICAN. Show all posts

Sunday, February 27, 2011

The American [Blu-ray]







The American [Blu-ray] Overview


Academy Award® winner George Clooney is The American in this sexy suspense thriller from director Anton Corbijn. After a job ends more violently than expected, Jack (Clooney) retreats to the Italian countryside and accepts one last assignment to construct a deadly weapon for a mysterious contact. But when he pursues a relationship with a beautiful local woman, he may be tempting fate by stepping out of the shadows. Jack soon finds himself in an escalating battle to escape from his secretive past, in the film critics are calling “4 Stars! Riveting and irresistible!” (Joe Neumaier, NY Daily News)

The American [Blu-ray] Specifications


Control's Anton Corbijn gives the crime film a distinctly European twist in this understated thriller (think The Day of the Jackal). A trim George Clooney plays Jack, a hit man who relocates from Sweden to Italy after assailants try to take his life. Jack's handler (Johan Leysen) advises him not to make any friends, which proves easier said than done. Ensconced in medieval Abruzzo, the assassin passes himself off as a photographer (in Martin Booth's novel, A Very Private Gentleman, he claimed to be an illustrator), but he's actually customizing an assault rifle for Mathilde (Thekla Reuten), his female counterpart. Upon his excursions through town, Jack meets Father Benedetto (Paolo Bonacelli), who senses he has something to confess--"A priest sees everything," he explains--but Jack would prefer to share a brandy. He also befriends Clara, a prostitute (Violante Placido, perfectly comfortable with onscreen nudity). What starts out as a sexual relationship deepens as Jack's sensitive side--he has a thing for butterflies--emerges, but then the Swedes discover his hiding place, and Jack develops doubts about his lady friends, leading to a showdown that plays like a scene from an old Western, a debt Corbijn acknowledges when Jack chances upon a broadcast of Once upon a Time in the West. If the conclusion doesn't cut as deep as the director intends, his admirable restraint throughout keeps the tension at a low boil, while Clooney tamps down his charisma to play a dogged professional with redemption on his mind. --Kathleen C. Fennessy



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Saturday, April 10, 2010

AMERICAN WEREWOLF IN LONDON / (MCSH WS DUB SPEC) - AMERICAN WEREWOLF IN LONDON / (MCSH WS DUB SPEC)







AMERICAN WEREWOLF IN LONDON / (MCSH WS DUB SPEC) - AMERICAN WEREWOLF IN LONDON / (MCSH WS DUB SPEC) Overview


Remember back in the early 1980s when special-effects makeup artists were tripping over themselves to create the next big effect? The Howling boasted a fantastic werewolf transformation scene courtesy of makeup wizard Rob Bottin. Then along came Bottin's mentor, Rick Baker, with his own spectacular effects in this popular horror comedy directed by John Landis. An American Werewolf in London is more of a makeup showcase than a truly satisfying movie, but the film is effectively moody when David Naughton discovers that a wolf attack has turned him into a bloodthirsty lycanthrope. Jenny Agutter plays his love interest (watch out, he bites!), and who can forget Griffin Dunne as Naughton's best friend, an undead corpse who progressively rots away as the plot unfolds? All things considered, it's easy to see why An American Werewolf in London became a modern horror favorite. --Jeff Shannon


Customer Reviews


In American Werewolf in London (1981), writer / director John Landis tips his hat respectfully to Lon Chaney Jr. werewolf than the classic 40 years ago, then sent the picture, both stylistically and cinematically. The special effects alone, which is a world beyond the clumsy film are used to convert from an upright man hairy Chaney overlap of the upright. At full moon, Landis lamented the unfortunate bite, scream, kick, emitting guttural sounds and writhing in nakedTerror hands and feet as long legs, which extends from a face to face, body hair thickened to coat, and the newborn loses all abilities scattered biped.

We are witnesses to this terrifying metamorphosis details once, and this is more than enough. Often the monster stalking is shown looking through a camera in his opinion, as effective as we near the prey of execution. There is no blood, but is not free and is used only when necessary. A new element is thatare killed by a werewolf condemned to wander the earth as the undead until the last of the creatures or commits suicide or is destroyed, what is best for someone who loves people, below the Wolf.

In short, the load, despite the recent CGI version, done well by the dramatic, the work amusing and frightening, but the werewolf be seen. Highly recommended!


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